The Testaments (1.01 - 1.03

Apr. 10th, 2026 11:19 am
selenak: (Winn - nostalgia)
[personal profile] selenak
The first three episodes of The Testaments have been dropped in my part of the world on Disney +. It's an adapatation of Margaret Atwood's novel of the same name, which is a decades later written sequel to her famous dystopian classic The Handmaid's Tale; when it was published, I reviewed it here. Just to make their lives more complicated, though, the show is also a sequel to the tv series The Handmaid's Tale. The first (very good) season of which I watched, but not the later ones, as word of mouth about diminishing quality and lack of time have detained me, but I did osmose this presents a problem because not only is the backstory the showin its later seasons developed for one of the central characters (Aunt Lydia) very different from her backstory in the novel, but the timeline of another central character is different as well. With this in mind, my spoilery reaction to the first three episodes is beneath the cut. Above cut: those first three episodes are well acted and produced and make some interesting choices re: adapting the source material - and I don't mean "interesting" as a euphemism for bad -, but haven't revealed yet how they'll solve the Lydia problem.

The perils of being a female teenager in Gilead )

(no subject)

Apr. 10th, 2026 09:41 am
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] schemingreader!

every word I say is true

Apr. 10th, 2026 09:12 am
pensnest: Lance and JC all fluffy and pretty, caption 'beaux' (C-Bass)
[personal profile] pensnest
...was a palpable sense that you, as a vocalist, were—CATFOOD
It was so perfect, I just had to laugh.

Why no, I do not pay YouTube and yes, the advertising can break in at awkward times

But when I came home after chorus last night I happened upon a Richard Marx episode of Stories To Tell, on YouTube, from about five months ago. It's here:
https://www.youtube.com/watch?v=cGyiVEWcVcU

The guests are JC Chasez and Lance Bass, and it is lovely! Really interesting, from both of them, from different perspectives on the early days of Nsync to how Lance really felt about being unable to come out to JC's work on the Frankenstein musical (Playing With Fire), all kinds of stuff. And Richard Marx genuinely likes them both and they like him. It is just a delight to listen to. And it is almost an hour and a half long.

Marx mentioned Candide—okay, Candide? anybody? What did JC do with that?

New Worlds: Queen Bees

Apr. 10th, 2026 08:01 am
swan_tower: (Default)
[personal profile] swan_tower
So far we've been talking about friendship in a one-to-one sense, as a relationship between only two people at a time. But of course, we all exist in a much larger social world -- even during periods when that existence is best defined by a position firmly outside the circle. What does friendship look like when we open up our scope?

Well, for starters, "friendship" starts to be a word that maybe ought to have sarcasm quotes around it. We are social primates, and unfortunately, that entails some pretty nasty behavior alongside the nice stuff. As I said last week, depending on how you use the term, a friend might just be somebody you know and haven't outright declared an enemy or dead to you. Or, depending on how you use the term . . . your "friend" might indeed be somebody you are out to hurt.

If that sounds like a particular negative feminine stereotype, you're not wrong: in our society, teenaged girls in particular are proverbial for how horribly they may treat their so-called friends. This isn't inherent to being adolescent and female, though; it tends to show up anywhere you foster the kind of hothouse atmosphere where a bunch of people are trapped together and can only rise socially by climbing over each other.

And that means it can describe a royal court every bit as much as a high school! Reading about the interpersonal dynamics of Elizabeth I's nobles and ministers, I was struck by how much their behavior resembled the cliques and grudges of teenagers. The specifics differed -- A offended B, so B arranged to have one of A's political hangers-on denied the right of entry to the more exclusive precincts of the royal presence -- but the vibes were much the same.

Associating this specifically with women is therefore not entirely true, because men can behave in similar ways. It's also not entirely false, though, because control of social dynamics is a form of soft power, and in a patriarchal society where women are denied access to the formal levers of government, soft power is the only kind they can use. So now the question becomes: how do you acquire that power?

Some of it comes from obvious sources. If a person has some more formal type of authority -- or, in the case of a woman, is associated with a man who has such authority -- that tends to give their social presence more weight. After all, offending the prime minister or the wife of the Lord Treasurer might mean all kinds of political difficulties, whereas gaining their friendship could open new doors. This is true even at lower levels of society than a royal court; the wife of a town mayor or village headman probably has a certain amount of social cachet.

Similarly, wealth brings the ability to host more people more extravagantly, which is beneficial no matter what scale of party you're looking at. Though in many cases, the power of wealth has to be evaluated in light of status: where commerce is scorned, then a woman from a merchant family, be she never so rich, will be seen as more déclassé than a noblewoman of more modest means. The former can still win social authority, but she'll have to work harder for it.

What form that work takes depends on what's admired in the society at hand. As we've discussed before, fashion can play a role here: exhibiting good aesthetic taste will bring approval, and if you can combine that with just the right amount of daring innovation, you might become the trendsetter everyone else looks to for guidance. That's difficult to pull off if you're a social nobody -- your innovations are more likely to be sneered at as missteps -- but one admiring comment from the right person might begin your rise to social influence.

For those of more modest financial means, it may be easier to aim for becoming known as a good conversationalist. Remember, this is a social world, so being someone people enjoy talking to is a major asset! Flatter the right people just the right amount, so you don't sound too obsequious; tell rousing anecdotes about interesting situations; extemporize good poetry to commemorate the occasion at hand; exhibit whatever type of wit is most admired right now . . . which, yes, can include the back-biting type where you're constantly tearing other people down, though it doesn't have to. A lot depends on how vicious the local dynamic is.

Under the right circumstances -- and this will be of interest to many people who enjoy reading SF/F -- you can even win social influence through your book-learning and smarts. If you live in an environment of intellectual ferment and scientific exploration, then being au courant with the latest discoveries gives you fodder for attracting attention. You do still need to be a good conversationalist, so you can deliver what you know in an interesting fashion -- otherwise you'll have a reputation as a pedantic bore -- but it isn't always about jokes and empty gossip.

For women in Enlightenment-era Europe, in fact, social gatherings were a major part of how they kept up with the intellectual scene. The French salonnières of the early modern period famously established a model of social interaction that spread across the continent and into the British Isles. "Bluestocking," the Victorian pejorative for an excessively bookish woman, was originally the name of an eighteenth-century "salon" or social circle focused on literary discussion -- which, given the era, included philosophy, history, and scientific research, not just fiction. Their community included men, but it was led by women, and through the connections formed at their gatherings, they helped advance each others' minds, laying the groundwork for the advances of feminism in the nineteenth century.

It's not all so high-minded, of course. Like I said, these environments can also feature a ton of backstabbing and social climbing: witness all scenes set at Almack's Assembly Rooms in Regency romances, where a single introduction from the right person might set an individual on a path to an advantageous marriage . . . while others with competing interests do their best to spike any such alliance. The Lady Patronesses of Almack's, with their control over vouchers for admission, held a great deal of power over that scene.

In that case there was a group of women in control, but where a single queen bee rules over it all, she can be as capricious and arbitrary as any formal autocrat. She's likely to be a central gathering-point for gossip, and whispered into the right ears, those juicy tidbits might become a scandal that brings down a minister. Even without such weapons at hand, declaring someone persona non grata at her own events can mean they find themself excluded elsewhere as well . . . and without the chance to rub shoulders with influential people, their chances of advancement, whether through marriage or political appointment, go into a steep decline.

So is the social scene occasionally petty and vicious? Absolutely -- but that doesn't make it trivial. Stylish ladies or sociable gentlemen can leverage this world as an alternative route to power, all without ever lifting anything more dangerous than a fan or a pen.

Patreon banner saying "This post is brought to you by my imaginative backers at Patreon. To join their ranks, click here!"

(originally posted at Swan Tower: https://is.gd/G7vEgj)

Real And Realer

Apr. 10th, 2026 08:07 am
poliphilo: (Default)
[personal profile] poliphilo
 Woke up yesterday feeling all golden, woke up this morning feeling all Thomas Hardy.

These things are just moods. Enjoy and put up with.

Smile indulgently.

I don't care too much for calling the world a "simulacrum". It's rather more immersive than a video game, don'tcha think? 

It's real, but not very real. 

Very real is the next level up- and beyond very real are levels that get realer and realer.....

Or so I think likely.....
vriddy: White cat reading a book (reading cat)
[personal profile] vriddy
1. Tracking writing-related stuff daily so doesn't work for me and my brain. I track wordcounts only monthly for a reason!! Because I was planning to finish this proofreading within two weeks or so, I thought I would therefore update my little chart thing to track by day rather than by week so the chart looks more interesting. It does look cool! But tracking daily means I read high numbers as "This is what I am capable of" and any day in which I could only manage 15 minutes or so as a failure. May have to weeklify this chart after all.

2. Especially because, while finishing within two weeks would be convenient for a variety of reasons, I'm not sure the proofreading will go as fast as I hoped. My thought were: okay, the story is a third longer than it was last time I proofread it, but only the new stuff might sound janky! Well. It's been over a year since the last time I proofread, so sentences give me different feelings now. The first chapter hadn't changed a ton, maybe 600 new words, but I spent 3h on it anyway. Just like the average last round: proofread 10 chapters in a little under 3 weeks, average time per chapter 2h54. I have 14 chapters now. Grumbles, grumbles.

3. Thinking a lot about what I want to learn next. The last couple of years have been about "process" especially around editing, what works well for me in general, how to actually edit a big project, how to manage my stamina through it. Over the last couple of months, I've been learning about structure, and loving it. Like, there will be more to learn there for sure, but for the time being I need to put into practice my new learning until it comes more naturally. While this is happening, I really want to improve how I write sentences. Line editing, I guess? My writing feels very weak there right now, or not where I'd like it to be. It won't be something I apply on the witch (would require a complete rewrite), but it's something I hope to pay more attention to for the Soul Thief. Reflecting too on how I want to learn and how I could organise myself for it. For example, I got a copy of Le Guin's "Steering the Craft" a while back that sounds like it should fit the bill? But I found it very intimidating, and I'm not good at just doing exercises either. It's easier when learning happens as part of a real story. Anyway, whatever I end up doing next, it seems like I'm moving from a "learning process" to a "learning craft" kinda mood, for the next while!
conuly: (Default)
[personal profile] conuly
And we can barely pay it if we don't pay for a few other things. Maybe they'll let us write two checks.

On the other hand, if the USA decides drop nukes during the installation, probably the company won't trouble themselves too much about payment. We'll be home free! Well, assuming nobody retaliates on NYC specifically....

**********************


Read more... )

Follow Friday 4-10-26: Meditation

Apr. 10th, 2026 12:02 am
ysabetwordsmith: A blue sheep holding a quill dreams of Dreamwidth (Dreamsheep)
[personal profile] ysabetwordsmith
Today's theme is Meditation.

Read more... )

Earthset From the Lunar Far Side

Apr. 10th, 2026 04:00 am
[syndicated profile] earthobservatory_iod_feed

Posted by Lauren Dauphin

Alt text: The gray-brown, heavily cratered Moon dominates the frame against black space, with a partially lit crescent Earth setting behind its upper-left edge.
April 6, 2026

NASA’s Artemis II mission will conclude its 10-day journey around the Moon on April 10, 2026, when the crew splashes down off the California coast. While additional imagery will continue to be processed after their return, the astronauts have already delivered a remarkable collection of photos. Among them is a shot of Earthset, echoing the iconic Earthrise photos taken by Apollo 8 astronauts in 1968.

During an Earthset, the planet appears to sink below the lunar horizon. In this scene, a partially lit crescent Earth drops behind the Moon as seen by crew on the Orion spacecraft. The Earth’s sunlit side shows white clouds and blue water over the Oceania region, while the dark areas are experiencing nighttime. The image also shows incredible detail of the Moon’s surface and its overlapping craters and basins.

The image was taken at 6:41 p.m. Eastern Daylight Time on April 6, 2026, as the Artemis II astronauts passed behind the Moon’s far side. It is one of many photos taken during the seven-hour flyby, including images of a total solar eclipse, the light from several planetary neighbors, and the long shadows cast along the terminator line where lunar day meets night.

More images from the historic flyby can be viewed in the Artemis II lunar flyby gallery, and other mission photos and resources are available on the mission’s multimedia page. Past views of Earth from afar can be found in this collection from NASA Earth Observatory.

Image by NASA. Text by Kathryn Hansen, adapted from NASA resources.

References & Resources

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The post Earthset From the Lunar Far Side appeared first on NASA Science.

hamsterwoman: (Taskmaster -- John is a Ravenclaw)
[personal profile] hamsterwoman
Taskmaster is back!!

Taskmaster s21 interviews – I like the format a lot better this series than the last couple – it’s probably one of my favorite gimmicky ones (I had also liked s17’s, but mostly I feel like the format detracts rather than adds to the interview on the other recent ones; OK, s20’s table tennis was not too bad, but I thought the table tennis was too disruptive to the chat, in a way texting was not really). First impressions, before watching the episode )

Episode itself: Taskmaster s21e01 – oh, this was FUN! spoilers )

*

I caught up on the Christmas 2025 House of Games, which had what is probably my favorite lineup ever: Mathew Baynton, Mel Giedroyc, and Harriet Kemsley (and a fourth non-Britcom/non-Taskmaster person I didn’t know, but he was fun, too). spoilers )

*

I finished watching James Acaster’s Repertoire on Netflix – a 4-part stand-up show which I found really interestingly constructed but enjoyed less than the shows by the comedians it turns out I really vibe with, like John Robins or, based on a smaller sample size, (Lesser) Tom Cashman or Pierre Novellie. Also, it really is a single four-part show, even though the first three parts are fairly stand-alone, and I did not have 4 hours to watch it all the way through – nor do I really think that’s a reasonable, like, aliquot for standup. And I was still able to appreciate it watching it in several chunks over a matter of weeks, but not as well – by the time I got to the last part, which calls back to the previous ones a lot, and loops around to the first one, there were definitely details I had forgotten – I could tell from the audience laughing at things that were clearly callbacks but ones I did not recognize. But I did recognize some inter-episode callbacks, and even within each episode (Recognise, Represent, Reset, and Recap) there are callbacks and loop-arounds.

If I had to describe Repertoire in one word, it would be intricate )
sovay: (Sydney Carton)
[personal profile] sovay
Entirely apart from it now apparently being business as usual for my killing joke of a government to start wars in whatever sovereign nations it feels like and threaten the annihilation of entire civilizations on capricious deadline, I have had a weird and fairly scrambled week in which I was not able to avoid talking to doctors after all. I can feel suitably noir-poisoned for recognizing some location shooting in The Rockford Files (1974–80) from Desert Fury (1947). The sky this afternoon suggested that it was trying to be autumn.



[personal profile] rushthatspeaks sent me an improbable mammal.

Nature

Apr. 9th, 2026 10:53 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Prairie plants reveal a hidden defense against climate extremes

It looks peaceful – but these places are basically training grounds for weather whiplash.

A new study says prairies really do have a built-in advantage when the climate gets nasty: biodiversity helps. But it’s not as simple as the old slogan “more species = more resilience.”

The researchers found that different kinds of biodiversity matter depending on the kind of extreme – drought versus flood – and that nuance could matter a lot as heat, floods, and dry spells become more common.


Read more... )

mmm, bread

Apr. 9th, 2026 11:55 pm
tsuki_no_bara: (Default)
[personal profile] tsuki_no_bara
passover is over! which means i can have bread again. :D the holiday felt weirdly short tho, maybe because i spent four days of it in atlanta. and i have A LOT of matzo left. >.<

I’m sorry I’m taking the car to the airport that is closer to,
rather than farther away from, the oncoming hurricane.
In the parking garage of my love for you, I circle around
quietly, looking for a space to put the day’s best guesses,
one not too far from the kiosk of you, standing mute and
ready to hand me a small slip of paper that reads I’m sorry
I can’t tell you what I want
. So we’re both mildly apologetic
all the time, which is a small courtesy, two pulsars fanning
light at one another in bursts detectable years later. Why
won’t you take this bundle of daffodils. Why have the
daffodils turned into dirty forks. I’m sorry about my socks.
See, there I go again. In the backyard, a vine from next
door has crawled up and over the fence and has flourished
there, a great nest of green six feet off the ground. I’d
trim it, but you’re holding the hedge clippers against your
hair. You’re saying that your hair is morning glories and
you’d like to keep the morning glories if possible. I don’t
even know what morning glories are exactly; my mother
is an excellent gardener but I have neither her memory for
color nor your cataloguing tendencies and it’s late in the day
and I’m sorry for that. It’s difficult to hold you in this
shaft of light when you keep taking three steps away and
sitting down in the nearest chair, one hand on each knee
like a monument. It’s difficult to feel your body against
my side in sleep, the desires it holds distant and tired,
like an animal that has walked too far in an inhospitable
climate. I am full of water but as thirst is a form of
suffering, I would not wish it upon you. Instead, I will
work my way through your dreaming, which I know is of
endless snow fields. I will wait in this puddle of melt.
Perhaps, one day, you will come to me with your skin
near to brittle from the cold you love so much. Perhaps on
that day we can begin to think together about the seasons,
about how spring can also arrive in precision, if you let it.

--"Poem in Which the Poet Ventriloquizes the Beloved", Kimberly Quiogue Andrews

Poem: "The Grabber"

Apr. 9th, 2026 10:35 pm
ysabetwordsmith: (monster house)
[personal profile] ysabetwordsmith
This poem came out of the April 7, 2026 Poetry Fishbowl. It was inspired by a prompt from [personal profile] ravan. It also fills the "Exception" square in my 4-1-26 card for the Flower Fest Bingo. This poem has been sponsored by [personal profile] janetmiles. It belongs to the series Monster House.

Read more... )

Poem: "So DONE with It All"

Apr. 9th, 2026 10:18 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
This poem came out of the April 7, 2026 Poetry Fishbowl. It was inspired and sponsored by [personal profile] janetmiles. It also fills the "Request" square in my 4-1-26 card for the Flower Fest Bingo.

Read more... )
lotesse: (Default)
[personal profile] lotesse
The sort of beauty that's called human (5727 words) by lotesse
Chapters: 5/?
Fandom: Dark Is Rising Sequence - Susan Cooper
Rating: General Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Bran Davies/Will Stanton
Characters: Bran Davies, Will Stanton (Dark is Rising), Owen Davies, Herne the Hunter (Dark is Rising)
Additional Tags: Post-Canon, Loss of Parent(s), Immortality
Series: Part 4 of Wherein was bound a child
Summary:

“We have to go,” Bran said, his voice coming out hoarser than he’d expected. “Rhys called. Trouble with my da. A stroke.”

No more needed to be said aloud. They were going back to Wales.

Poem: Their Hidden Source

Apr. 9th, 2026 10:15 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
This poem came out of the April 7, 2026 Poetry Fishbowl. It was inspired by a prompt from [personal profile] siliconshaman. It also fills the "Request" square in my 4-1-26 card for the Flower Fest Bingo. This poem has been sponsored by [personal profile] janetmiles. It belongs to the series One God's Story of Mid-Life Crisis. It directly follows "Someone Who Was Trying to Be Sober" so read that first or this won't make much sense.

Read more... )

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